Interactive Art

Glowing House-Shaped Swings Take Over a Connecticut Park Today

Mi Casa, Your Casa 2.0 opens August 1 in Stamford's Columbus Park — illuminated red house frames, each holding a swing, that glow softly when empty and brighten when someone steps inside.

Mi Casa, Your Casa 2.0 opens today, August 1, in Stamford, Connecticut’s Columbus Park, running through September 7. The installation, by Mexican design studio Esrawe + Cadena, consists of multiple illuminated red house-shaped frames scattered through the park, each containing a functional swing — a piece built specifically to be sat in and used, not just looked at.

The interaction is the whole concept

The mechanic is simple and legible from across the park: when a house frame is empty, it emits a soft glow, quietly signaling availability. The moment someone steps inside and sits on the swing, the light intensifies — a visible signal to everyone else in the park that this particular house is occupied. That’s the entire interactive logic, and its simplicity is the point: no app, no instructions, no QR code to scan. A stranger can understand what to do and what’s happening around them purely by watching the lights change as other people use the piece.

The house form itself carries its own quiet argument — a house is normally the most private, closed-off structure a person has, and here it’s rendered as an open frame anyone can enter, sit in, and be seen inside, turning the most guarded architectural symbol into the most public one in the park.

A well-traveled piece finding new context

This isn’t the installation’s debut — Esrawe + Cadena’s Mi Casa, Your Casa concept has previously appeared at Lincoln Center in New York City, and in Houston, Las Vegas, and Iowa City, distributed internationally by Creos. That touring history matters for how to read the “2.0” in this version’s name: rather than a one-off site-specific commission, this is a maturing, iterated public-art format that different cities keep choosing to host — evidence that the core mechanic (visible occupancy through light, a swing instead of a static object) translates well across very different downtown contexts.

For a piece about connection and presence, landing in a different city’s public park roughly once a year, always free and always open-access, is arguably a more meaningful measure of success than a single splashy debut would be.