The Creative Hardware Magazine
Arduino, ESP32, Raspberry Pi, LED installations, robotics, and the fabrication tools turning code into objects.
Dirtywave previewed the MX, a battery-powered aluminum performance mixer with an 8-channel internal mixer, 3 stereo ins and outs, two contactless hall-effect faders plus a crossfader, eight punch-in FX slots, a 24-second stereo looper, and 8-channel USB audio from the M8. Price is TBA, and it's planned for 2027.
ALM's Stem Ripper is an 8HP Eurorack module that records eight independent channels to SD card at up to 48kHz/32-bit with date-stamped files. The new With Mixer expansion adds 6HP of eight-channel stereo mixing with metering, CV control, save/recall, and a USB-C MIDI host port that accepts controllers like the Launch Control XL MK3.
Film photography's cost problem has a workaround: shoot paper. Jon Schiereck's 3D-printed perforator uses two modified drill bits and a rubber advance roller to punch standard sprocket holes into strips of blank photographic paper, producing loadable 35mm stock. A matching printable slitter is in progress, and the plans are free.
OpenChoker packs a $12 480×480 AMOLED touchscreen, RGB LED strips, and an RP2350 into a leather choker powered by a single 18650 cell — which survived a full 16-hour convention day still reading 3.7 V. With only 16 KiB of RAM against a 450 KiB framebuffer, the animations aren't played back from the SD card; they're generated on the fly at up to 60 FPS.
cpldcpu's pico-faces project runs a genuine latent diffusion transformer entirely on a $1 RP2350 microcontroller, generating 128×128 face images in 4 to 20 seconds from under 4MB of flash — roughly 4,000 times smaller than a model like Flux, and a real answer to whether generative AI can run without a GPU at all.
Forever Grouse is a patchable, solar-powered synthesizer from experimental instrument maker Daniel Fishkin's MONAD project — no batteries, no wall power, just sunlight driving an onboard speaker through banana-jack patch points, sold as a DIY kit starting at $70.
Throaty Mumbo built the CD-ROM add-on Nintendo never shipped for the NES — a custom RP2350B microcontroller board that reads game data off an IDE optical drive and streams it live into an Everdrive N8 Pro cartridge, reviving hardware history that never actually happened.
Soiboi Soft's pneumatic dot-matrix display uses vacuum and silicone instead of LEDs — sixteen valves multiplexing sixty-four pixels, each one holding its state like a tiny air-powered capacitor, playable well enough to run actual games of Pong and Snake.
Philo's line-scan panoramic camera reads the world one pixel-wide column at a time from a moving train, boat, or car, turning an industrial conveyor-belt inspection sensor into a tool for photographs that stretch for city blocks.
TermDriver 2, James Bowman's USB-to-serial debugging tool, renders its activity indicators as slow-fading, superellipse-shaped glows modeled on Apollo-era incandescent panel lamps — a small, deliberate act of skeuomorphic design inside a piece of otherwise purely functional lab equipment.
Rather than wait on a fluid simulation to render, maker duo Visual Thinker built real flow-visualization hardware — a magnetically-driven boat tank and a 3D-printed wind tunnel — using rheoscopic fluid, a century-old trick of mica flakes in water that makes real flow patterns visible to the naked eye.
A maker known as Dr. Semiconductor fabricated genuinely functional inorganic LEDs at home — laser-etching a gallium nitride epiwafer down to individual chips, then bonding and phosphor-coating them into working white LEDs — going meaningfully further than the DIY OLED projects that have defined home semiconductor work until now.
Glitch'n teaches absolute beginners to build real, working sound circuits — a $3 generative drummer, a $5 modular drum machine — on breadboards using decades-old chip designs, then offers graduates a paid track toward becoming instructors themselves.
Argentina's Los Aparatos builds whimsical, sensor-driven synths and teaches DIY electronics in Spanish — a combination that matters more now that its Auduina MK2 optical-sensor synth ships outside Argentina for the first time.
Bambu Lab confirmed a standalone laser engraver and cutter, the R1, arriving in September — its first dedicated laser product after selling add-on laser modules for the H2D.
Hands-on coverage confirmed the K1's specs weeks ago. Today's the day the actual campaign, and its pricing, went live.
8W, 15W, or 20W of laser power, a 400x400mm bed, and a touchscreen that runs the machine — but the number that actually matters is the one about setup time.
5-axis CNC with automatic tool changing used to mean a machine shop, not a spare room. InfiMaker's K1 is a real attempt to put both in a box that fits on a desk.
Most makers who want to print on both a wood panel and a t-shirt own two machines. xTool's O1 Omni is a bet that one printhead system, with the right ink set, can actually do both well.
Most synth knobs are silent potentiometers. The MD-7's two motorized discs shove back at your fingers to tell you where you are in a parameter — and when the hardware ships in September, its entire firmware is going open source.
Most controller keyboards make you choose between deep DAW control and a full piano-sized keybed. Novation's new Launchkey 88 MK4 finally puts the whole MK4 toolkit under seven-plus octaves of semi-weighted keys.
The original blackbox turned a palm-sized box into a whole sampling studio. The blackbox 2, shipping now, doubles the horsepower, adds a bigger touchscreen, and can finally run on batteries — the feature everyone asked for.
A generative artwork usually lives on a screen. A pen plotter drags it into the physical world — a robot arm drawing your code in real ink on real paper, wobbles and all. It's become one of the most beloved tools in generative art.
The interesting design decision isn't that it uses AI — it's that the AI is scoped tightly to one machine's actual physical limits instead of pretending those limits don't exist.
No cloud connection, no laptop tether — just a chip, a screen, and an infinite non-repeating number doing the creative work.